Caffeine Ceremony
Five coffee-ring halos in soft, washed-out blues, golds, greens, and rust. Paper so quiet it feels like a whisper. And little splatters and smudges that prove someone was actually awake when this happened.
This is the Olympics, told the way Americans experience them: bleary-eyed, half-wrapped in a blanket, bargaining with sleep. The rings aren’t painted. They’re left behind. A mug set down, lifted up, set down again… every time the broadcast cuts to “Live from wherever it’s 3 a.m.”
It’s minimalist conceptual art with a wink—very Fluxus/John Cage energy, where the “ordinary” becomes the whole point. Also a little Agnes Martin calm: restrained, airy, confident enough to do almost nothing and still hold the room.
Mini art lesson: negative space is a volume knob. Leave the page mostly empty and whatever you do place becomes louder. Here, the quiet background makes the rings feel iconic, not accidental. Want something to read as “design” instead of “mess”? Give it space to breathe and let repetition do the talking.
Fun fact: the Olympic flame relay feels ancient, like Zeus himself is on the production team. But it’s actually modern. The relay was introduced for the 1936 Games—so that “timeless” torch-to-torch moment is a relatively new invention that turned into one of the most powerful rituals in sports.
Related works
Steel Reception
A scarred football. Rusted slabs. A background that looks like the inside of Pittsburgh’s memory.
Sun & Moon Share a Face
Ever wondered what would happen if the sun and moon decided to do a face swap? Well, this tribal-style linocut brings that cosmic collab to life—with bold lines, fiery symmetry, and a whole lot of personality. This piece screams linocut: a classic printmaking style where artists carve into a linoleum block, roll it with ink, and press it to paper. Think of it like the cooler, older cousin of the rubber stamp—messy, bold, and unapologetically textured. One side radiates hot reds and yellows like a sun that’s had its morning espresso. The other is cool, calm, and carved in inky blues and bone-white like the moon pulling an all-nighter. Together? A Yin-Yang face-off with vibes. Style Vibes: * Feels inspired by tribal and indigenous art, especially from African and Polynesian traditions. * Echoes the expressionist printmaking of German artist Ernst Ludwig Kirchner. * Has a nod to the mystical-meets-modern woodcuts of Jose Guadalupe Posada (that guy who made all those epic skeletons). Fun fact: Linocut became super popular because it was cheap, fast, and graphic—Picasso even used it to make posters and prints in his later years. Yep, that Picasso.
Sunflowers With a Beach House Residency
This feels like Van Gogh packed a weekend bag, rented a place by the water, and immediately started making everyone breakfast.
Available as a museum-quality print.
Request this print