Happy Hour Hieroglyphs
A Coca-Cola bottle screaming red like it’s wearing lipstick. Loose black ink lines that wobble on purpose, like the table is still moving. And citrus wedges glowing orange-yellow, doing the most in the smallest space.
This is the afterparty, sketched from memory. Drinks half-finished. Glasses overlapping. Little splatters and scribbles that feel like laughter you can’t quite quote. It’s chaos, but it’s friendly chaos—more “one more round” than “call an attorney.”
The vibe leans Jean-Michel Basquiat in that quick, confident mark-making, and Henri Matisse in the way color gets used as a mood shortcut. Not realism. Decision-making. Red means energy. Yellow means warmth. Black means “don’t overthink this.”
Mini art lesson: negative space is the best bartender in the room. That big clean background gives every glass breathing room, so the mess still reads as intentional. Want a drawing to feel effortless (even when it’s not)? Leave space. Let the white paper do half the work.
Fun fact: the word “cocktail” first shows up in print in the early 1800s, and nobody can agree why it’s called that. One theory involves fancy horses. Another involves a French egg cup. Either way, it’s the only beverage category that comes with its own folklore.
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Available as a museum-quality print.
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