Wind
A simple assignment: make the invisible visible.
Wind has no fixed shape, so the image has to invent one. A dark human figure faces an enormous swirling mass that seems to curl, pull and press through the space around it.
That is visual metaphor at work. Artists regularly give form to things that cannot literally be seen—wind, sound, time, memory, fear—by borrowing the behavior of something visible.
The black-and-white treatment helps strip the scene down to force and scale. The person becomes a measuring device. The larger the invisible thing feels, the smaller and more vulnerable the figure becomes.
FUN FACT
Long before photography could freeze motion, artists used repeated lines, flowing drapery, bent trees and hair to make invisible wind visible.
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